The aesthetic ―mise en scene‖ of the political power and the writer‘s intrusion into the life of the ―city‖ are not specific only to the totalitarian regimes of the XXth century, even if it seems so within the analytical domanin. Literature, generally speaking, is seen as a mirror of social conflicts and pressures that are to be faced by the intellectual individuals living in a certain époque that are determined to make their choices concerning ideology and discursive patterns. Thus, the socio-political feature of literature determines an indeological profile of fiction, recurrent themes specific to the writer‘s either implicit or explicit social commitment, narrative strategies such as parable or allegory, all of them meant to guide political, philosophical, religious choices of some important writers, that are to be interpreted as such for their political correctness.