Disconsidered due to her social status, having been taken away her elementary rights and being subjected to male tyranny, the female character in Nicolae Filimon’s novel called Ciocoii vechi şi noi turns into the main object of textual moral analysis, dichotomically organized and, sometimes, even in a misogynist manner. Be it the angelical Maria C. or the evil Chera Duduca, the general profile of the feminine character in our first novel becomes an important object of the critical discourse so often interested only in the strategies of the male writing, aware of its own authority and truth. Under these circumstances, within the XXth century reading, the feminine character and its meta-language become the basis for the debates around the identity of the feminine profile and its compensatory relation to masculinity.