Within the social-realism ideology, the critical and literary discourse of the 50’s has to radically elude the aesthetic so as to enter the ideological milieu. The occasional poetry turned into a propaganda instrument for educating the masses through its way of displaying the conscious simplicity and the rudimentary poetic strategies, reflects the modifications of the whole literary field. Thus, poetry becomes the way of re-adjusting national mythology so as to enhance the myths of the new world / man originated in the Soviet pattern.