Within the Romanian literature, the taking over and use of the Western Romantic poetic strategies is theoretically oriented towards a relatively coherent poetics (similar to the Western poetics), mirroring the specifics of each creative personality. From this point of view, the poetic arts perfectly witness the structural and poetical meaning dynamics within the same Romantic paradigm. After the Romantic construction rooted in a classical type of creative personality (as in the case of Alecsandri’s work), the Romanian Romantic pattern is reconsidered in the newly occurred Eminescu’s work, reaching its climax through the parodic values.