Considering that the iron curtain had placed Romania under the immediate soviet‘s influence and that literature became a means of communist propaganda, one should understand prose encountered another development than the Western Europe. Allegory, metafiction and parody are the weapons that writers could use against political censorship. Both Mircea Eliade‘s Noapte de Sânziene and Nicolae Breban‘s Bunavestire emphasize the relation between fiction and reality through the means of masculinity and femininity. This relation turns to be the narration, the epic substance itself because man is the fiction metaphor which shapes and creates reality (symbolized by the woman). In order to conquer her, he must first avoid her charms, this is the tragic condition of the one who can‘t enjoy his victory, even though he is a conqueror. Grobei will master the existence in itself, but not his real life.The communist censure obliges the lector to different levels of reading and we consider the political interpretation to be one of the most important; from this point of view the feminine characters of the both novels become perspectives of the national country. While Nicolae Breban seems to be more interested in political mechanism in itself, Mircea Eliade focuses on war and communism influences upon Romania.