In this article the author intends to present a new concept of spiritual liberation which is manifested by the use of objects from the characters. In the’50s a new type of theater is to reverse what was hitherto structure, character design, language and dramatic scenery, the report of the spectator to the spectacle, ideology, all that tradition as it was assumed by the theater. The materials stage, the stage become a raw material for the writer of a theater of the economy and the suggestion at the level of the agglomeration stage. The space and the objects acquired a new value in Beckett‘s work; they are no longer objects of the action, but objects-signs. Through this article, having as support three Beckett‘s plays: “Endgame”, “Waiting for Godot,” “Oh! Sunny Days!” we will demonstrate the function of objects as instruments used by the characters in their attempt to find a new perspective of the liberation of their thinking.