Without having their reality denied, the results of an unprecedentedly paced technological progress are witnessed by homo ludens with a feeling of alienation, the images presented in rapid succession, with a minor sense of the context or of the connection, resulting in the fact that an idea seems as good as any other. This way, the distinctive sign of the postmodern becomes the non-problematisation, manifested through complicity to consumerism and lack of critical accents. The postmodern being registers everything but believes (almost) nothing, because it has become a screen itself. Now, who can ask a screen to believe what it registers?