Post-war Romanian literature develops during a social and political period characterized by behavioral turbulences. This peculiarity will decisively influence the literary domain, imposing not only a reconsideration of “feminine identity”, but also its socio-political and cultural implications. Regarding the novels of the 60s, their narrative substance is interwoven in a space governed by the coordinates of power. In this respect, Nicolae Breban’s prose delineates the power disputes through psychological patterns embodied in typologies meant to reflect the specific features of the epoch in which they emerge. Human relationships often mirror the social ones and their fundamental elements are the principle of femininity and that of masculinity. Breban’s literature masterly depicts a complex feminine typology, that of “the tramp” that is driven by her tastes for extravagance, erotic entertainment, the need to find a master. This type of woman possesses a fascinating force and an appealing sensuality. Assuming the erotic play, femininity adopts the “master” role but after a while the rules of the game are reversed and she becomes the servant or pray. Marin Preda, another remarkable representative of the post-war novelists is also interested in the couple’s problematic interactions and the multiple-faceted femininity. His novel “The Most Beloved Man on Earth” makes its contribution to the depiction of the way in which the femininity patterns underwent a series of modifications at the level of imaginary relations due to the socio-political changes of the 20th century.