The poet Nicolae Leahu is a notorious personality among the Bessarabian graduates of the eighties. Making his debut with lyrical works which were marked by the metaphoric (the booklet Brownian Motion, 1993), he counts on postmodernist techniques, especially on textualizing ones in The Personage from the Poem (1997) and The Unnamed (2008). The poems included in these two volumes denote, first of all, the scriptural experience of the author – he becomes an actant, an immanent instance of the text. The textualistic implications
in the poetry of Nicolae Leahu constitute the proof of the connection of this creation to the concepts of modern lyrics.