Taking its start from La beauté Joseph, a novella by Algerian francophone writer Assia Djebar, and from the gender-sensitive account Djebar makes of the archetype of St. Joseph and his temptress Zuleikha, the present paper defends the following claim: religious studies have a lot to gain from the epistemological questions and gender analyses that were formulated by feminist religious scholars in the eighties and nineties of the twentieth century, especially with regard to the representation of femininity. I proceed further to comparing the three monotheist versions of the story of Joseph. Focus will be laid on the scene of seduction in which Joseph and Zuleikha are protagonists, and on such questions as moral responsibility, the naming of religious concepts and the gendering of religious symbols. I hope to shed light on the contribution to religious studies of both newhistoricist thought (Mohamed Arkoun), hermeneutics (Paul Ricoeur) and feminist religious thought ( Kathleen B.Jones, Valerie Savings and June O’Connor). All question the authenticity of religious concepts and they all call for a new hermeneutics in the study of religious texts, where contextualisation of human experience and gender considerations are taken into account. Their insights help bring to the fore certain details which have been deliberately omitted from or ignored in the accounts that religious orthodoxies made accessible to the world monotheist imaginary.